List Tuesday: Prosthetic Foreheads on Their Heads

Motion Pictures That I Watched in the Last Week Reviewed and Rated on A Scale of 1 to Pants.

1. What the (Bleep) Do We Know: See Here.
   Rating: -Pants


2. Dune: As solipsistic, blowhardian and inelegant as the book but way worse. It does have the bonus that its star, Kyle Maclachlan is from my hometown or something. Also, he was in Showgirls, a marginally more bad movie.
   Rating: e-1.


3. Bonnie and Clyde: This one was really good. I’d seen it before, but it’s still fun to watch. It stars Warren Beatty (aka Dick Tracy) and Faye Dunaway as the titular characters. (Also named after the characters? A muffler shop in my hometown. The shop’s logo is a gun.) The best thing about this film is its schizophrenic jumps in mood from slapstick car chases set to “Foggy Mountain Breakdown” to the “heroes” contemplating the murder they just committed. Or, like at the end, when it’s all lovey-dovey and then they die in a “hail of gunfire*” (spoiler alert: Bonnie and Clyde die). Historically, this movie is notable for the introduction of squibs and realistic violence into modern cinema. Before this movie, all the violence was obviously non-realistic because LOOK! PAUSE IT! Now rewind. That guy is so totally still breathing! There are also two Genes in this movie, Gene Hackman and Gene Wilder (in his debut performance), so it has that going for it.
   Rating: Assless Chaps.


4. Chinatown: Depressing as a…..something or other that’s real depressing. Maybe like a raccoon caught in a bear trap and it’s still alive and struggling to reach the rifle that the hunter just dropped because he got mauled by a bear and now the bear is trying to maul the raccoon before he gets the rifle and you know that the raccoon is doomed but keeps on reaching for that gun. Sorta like that. I think the main point of it is that the harder you try to prevent something horrible from happening the more likely it is to happen. Especially if you end up in Chinatown because we all know what goes on there. Also, it has realistic violence (and incest)! Thank you Bonnie and Clyde director Sam Peckinpah! It stars Jack Nicholson and, huh, that’s weird, Faye Dunaway. It won Oscars for Art Direction, Car Direction, Water, and Bandages.
   Rating: More Fedoras then you can shake a stick at.


5. Network: The best movie ever made about a fourth-place network news broadcast and its descent into banality and journaltainment. Actually, I’m not kidding. This one is a recent addition to my top 10 movies ever list (again, I’d seen it before but that was when I didn’t understand that the entire universe was utterly meaningless and doomed and there’s no point to anything, so I didn’t get it as much.) Basically it’s all about how everyone has their price and it all doesn’t matter anyway because somebody else is controlling everything so they can make some more money. It’s also probably the funniest movie ever written by a guy named Paddy. And it was spoofed in UHF, so you just KNOW it has to be good. It stars William Holden and, WTF??? Faye Dunaway again??? I must look like some kind of Faye Dunaway obsessed uh….person. Great. Except, wait a minute, now I’ve got a good excuse when the FBI/NSA/CIA/DIA or whoever looks at my library records (oh don’t worry, they’re looking at yours too) and see that I checked out a movie that glorifies bank robbing and death I can just say, “well look at the other movies I checked out! They all have a young Faye Dunaway, so obviously I’m just in love with her. Thirty years ago!” Except Network also features a group of domestic terrorists, I forgot to mention that part. Crap. What have I gotten myself into?
   Rating: I’m mad as hell and I’m not gonna take it anymore!


6. Duck Soup: Uh, I only watched about 15 minutes of it. Sorry
   Rating: A Painted-on moustache.


7. The Bicycle Thief: Just in case you don’t get it, in case you don’t quite grip the fact that everything falls apart and the center never holds and life sucks most of the time, you should watch this movie. It builds and builds (in a post-war Italian neo-realist way of course) up until the end when the main character humiliates himself in the eyes of his young son. The end. It’s arguably De Sica’s best film. It is currently in an argument on this topic with the next movie in this list.
   Rating: Threadbare, third-hand linen trousers


8. Umberto D.: This is arguably De Sica’s best film. Unlike the previous one, there is at least a small glimpse of hope at the end. Sure the eponymous character is broke, debased, homeless and alone at least he didn’t go through with the suicide because of his cute dog. (Spoiler Alert!!! He doesn’t go through with his suicide attempt at the end because of his cute dog!) Of course you’re left to imagine what happens after the film ends. Sooner or later, Mr. Ferrari is going to get malaria or something and die homeless in some back alley in Rome and his cute dog will probably have to eat his dead body for sustenance. So it f’n goes.
   
   But really, I like the movie. The cinematography is great and it’s primarily performed by non-professional actors. When it looks so good, who cares if it’s all about the banality of evil. Or not even evil, just the banality and hopelessness and inevitability of life?
   Rating: 10,000 Lire



9. The French Connection: Probably the best drug-running espionage detective movies I watched that day. There’s this one part where Gene Hackman is driving a commandeered car through the streets of New York (?) chasing an elevated train that pretty much is one of the top three movie car chases ever. It also has realistic violence! On the whole, I would watch it again if I didn’t have to return it to the library.
   Rating: Plaid suit pants with a .45 strapped to your ankle.



10. Red Dawn: WOLVERINES!!!!!
    Rating: Patrick Swayze 50 - Communist Pigs 1



11. Tokyo Monogatori (Tokyo Story): Quite possibly the 4th best movie ever made (behind Citizen Kane, M, and Howard the Duck). Basically, nothing happens in the whole movie. You really have to listen for what’s NOT said (don’t you want to slap me now? I always want to slap people after they spout some BS like that). The camera angles and views are phenomenally telling. It’s like you’re a voyeur sitting on a grass mat in almost every shot, just watchinfg things unfold. It’s an even better movie to watch if you’ve had a lot of dealing with Japanese people. Trust me. What is it about, you ask? Just Google it or something, they know more than I do. Essentially it all boils down to this…
    

    Kyoko: Isn’t life disappointing?
    Noriko: [smiling] Yes, it is.

    
    
    Rating: 6 beers and an old pair of fishing shorts.

*All reviews of Bonnie and Clyde are required to use the phrases “hail of gunfire” or “hail of bullets.”

There are 17 links in this post.